Smirk: LP 12"
Hailing from Los Angeles and coated in a layer of warbled analog glory comes the debut full length album from Smirk, the solo project helmed by Nick Vicario (Public Eye, Crisis Man). These 11 meticulously crafted tracks originally appeared on two small run cassettes in 2020 and have since been remastered at North London Bomb Factory and paired with fresh artwork from Smoking Room.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
Hailing from Los Angeles and coated in a layer of warbled analog glory comes the debut full length album from Smirk, the solo project helmed by Nick Vicario (Public Eye, Crisis Man). These 11 meticulously crafted tracks originally appeared on two small run cassettes in 2020 and have since been remastered at North London Bomb Factory and paired with fresh artwork from Smoking Room.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
$17.00
Smirk: LP 12"—
$17.00
Description
Hailing from Los Angeles and coated in a layer of warbled analog glory comes the debut full length album from Smirk, the solo project helmed by Nick Vicario (Public Eye, Crisis Man). These 11 meticulously crafted tracks originally appeared on two small run cassettes in 2020 and have since been remastered at North London Bomb Factory and paired with fresh artwork from Smoking Room.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
A trebly & wiry punk sound comes into effect straight out of the gate, reminiscent of the early Dangerhouse Records singles as well as the “Bloodstains Across...” comps (to be more precise).
But there's far more to Smirk - with great songwriting, precision, and instrumentation that seem to emanate from a past that never was, bursting any preconceived sub-genre bubbles from this reality and those parallel to it. ‘LP’ is a tour de force of bratty, pissed off punk energy.
Our take: LP is the debut vinyl from this one-person project by Nick Vicario of Public Eye and Crisis Man. Like much of the music released on Virginia’s Feel It Records, Smirk has a sound that’s smart, stylish, pop-oriented, and isn’t beholden to its influences. While those adjectives can describe any song on LP, I like that there’s a lot of different stuff happening from track to track. Much of LP is jittery garage-punk in the vein of bands like R.M.F.C., Powerplant, or Gen Pop, and Smirk is great at these catchy, poppy bursts of energy. However, there are also a couple of cool interludes (or “‘Ludes,” as they’re titled on the record) that dabble in synths and tape manipulation, and a couple of tracks built around Dolls-by-way-of-the-Stones bluesy riffing. I tend not to gravitate toward rock with a heavy blues influence, but to me these are the standout songs on LP, particularly “Violent Game,” my favorite track. No surprise for anyone who’s been paying attention, but Feel It Records has delivered another winner.
