Farmaco: Descolonizar 7"
Raging raw hardcore from Argentina. Follow up to their killer demo flexi.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
Raging raw hardcore from Argentina. Follow up to their killer demo flexi.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
$2.55
Original: $8.50
-70%Farmaco: Descolonizar 7"—
$8.50
$2.55Description
Raging raw hardcore from Argentina. Follow up to their killer demo flexi.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
Our take: Last year we carried a flexi reissue of the demo tape by this band from Buenos Aires, Argentina, and now they’re back with their proper vinyl debut on the Spanish label Discos Enfermos. When I first listened to Descolonizar I thought to myself, “wow, this sounds a lot like early 80s Japanese punk,” and then I open up the record and the singer is wearing a Typhus shirt in the insert photo… so high five to me for recognizing that, I guess. It’s appropriate that Farmaco’s debut arrives the same week as a Zouo reissue, because Farmaco cops a lot of moves from Zouo’s The Final Agony EP, including the unique rhythms (kinda Motorhead-y, not really fast, but not slow either), raw production, metallic guitar leads, and sinister, death rock-ish overtones. It’s easy for something like his to sound like a pastiche, but Farmaco fucking nails it… the raw, analog production is perfect, and like the cult Japanese punk records they (presumably) take inspiration from, Descolonizar drips with vibe. Highly recommended.
