The Daleks: OK 7"
Official reissue for the Daleks first and only 7". Late 70's obscure and underrated UK Punk, originally released on the band's own Exterminated Products label in 1980.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
Official reissue for the Daleks first and only 7". Late 70's obscure and underrated UK Punk, originally released on the band's own Exterminated Products label in 1980.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
$2.38
Original: $7.95
-70%The Daleks: OK 7"—
$7.95
$2.38Description
Official reissue for the Daleks first and only 7". Late 70's obscure and underrated UK Punk, originally released on the band's own Exterminated Products label in 1980.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
Comes with fold-out paper sleeve with lyrics and photos.
Our take: Italy’s Breakout Records reissues this UK band’s lone, obscure single, originally pressed in 1980. The Daleks remind me of the Newtown Neurotics; like that band, their songs are built around basic pop structures, but played rough around the edges and with lyrics that are earnest in a kind of heartwarming way, particularly on the anthemic b-side track “This Life.” I’m a huge fan of this style when it finds the right balance of pop sensibility and punk grit, and the Daleks nail it, with the tougher, oi!-ish “Rejected” lending a bit of contrast to the more melodic “This Life” and “Man of the World” bringing together elements of both. The tracks are good, but I also love the sleeve. Breakout Records has recreated the record’s original foldout sleeve, which not only includes lyrics and photos of the band but also information on where and how they made it (including the names of the printers and how much they paid for the jackets, center labels, etc.) and (my favorite part) loads of photo booth shots of teenage punks with a diverse range of fashion senses. While I like it when labels like Radio Raheem include a wealth of archival material along with their reissues, in this case the original document is so rich that a near-exact reproduction is precisely what you want.
