Blonde Redhead: La Mia Vita Violenta 12"
Forming in 1994, Blonde Redhead were thrown together following a chance meeting in New York between Japanese siren Kazu Makino and Milanese twin brothers, Amedeo and Simone Pace. Taking their name from a song by fellow New York no wave artists DNA, location was to prove key to the band's initial experimentations. Forging a sound reflective of New York's rich musical legacy, the early years of Blonde Redhead were very much haunted by the squalling underground scene that has forever pulsed throughout the city. While indebted to their geography, the release of their self-titled debut in 1995, swiftly followed by the self-produced La Mia Vita Violenta on Steve Shelley's Smells Like label, showed signs that Blonde Redhead were soon to escape the shadow of New York. Teeming with the energy and grit of pre-Giuliani Manhattan, Blonde Redhead's long out-of-print early recordings have finally crawled their way out of the '90s basement.
Forming in 1994, Blonde Redhead were thrown together following a chance meeting in New York between Japanese siren Kazu Makino and Milanese twin brothers, Amedeo and Simone Pace. Taking their name from a song by fellow New York no wave artists DNA, location was to prove key to the band's initial experimentations. Forging a sound reflective of New York's rich musical legacy, the early years of Blonde Redhead were very much haunted by the squalling underground scene that has forever pulsed throughout the city. While indebted to their geography, the release of their self-titled debut in 1995, swiftly followed by the self-produced La Mia Vita Violenta on Steve Shelley's Smells Like label, showed signs that Blonde Redhead were soon to escape the shadow of New York. Teeming with the energy and grit of pre-Giuliani Manhattan, Blonde Redhead's long out-of-print early recordings have finally crawled their way out of the '90s basement.
$22.00
Blonde Redhead: La Mia Vita Violenta 12"—
$22.00
Description
Forming in 1994, Blonde Redhead were thrown together following a chance meeting in New York between Japanese siren Kazu Makino and Milanese twin brothers, Amedeo and Simone Pace. Taking their name from a song by fellow New York no wave artists DNA, location was to prove key to the band's initial experimentations. Forging a sound reflective of New York's rich musical legacy, the early years of Blonde Redhead were very much haunted by the squalling underground scene that has forever pulsed throughout the city. While indebted to their geography, the release of their self-titled debut in 1995, swiftly followed by the self-produced La Mia Vita Violenta on Steve Shelley's Smells Like label, showed signs that Blonde Redhead were soon to escape the shadow of New York. Teeming with the energy and grit of pre-Giuliani Manhattan, Blonde Redhead's long out-of-print early recordings have finally crawled their way out of the '90s basement.
