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Face To Face: No Way Out But Through 12"

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Face To Face: No Way Out But Through 12"

FACE TO FACE are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band’s tenth full-length No Way out but Through, a melodic-punk masterpiece teeming with blistering guitar riffs, fleetfingered basslines and vocal harmonies that are so infectious they’ll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face’s 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, No Way out but Through raises the sonic bar when it comes to songwriting, arranging and musicianship. This time around, singer/guitarist Trever Keith was able to get out of his proverbial comfort zone by renting a cabin near Malibu, California, and holed up with bassist Scott Shiflett as they transformed a collection of their respective demos and ideas into the polished recording you hear today. Production-wise, the band teamed up again with Juno Award winning producer Siegfried Meier and Davey Warsop (Foo Fighters, Green Day) and later was mixed and mastered by Jason Livermore at the legendary Blasting Room. The result is an album that’s sound quality mirrors its sonic weight and is the best-sounding face to face album to date.
FACE TO FACE are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band’s tenth full-length No Way out but Through, a melodic-punk masterpiece teeming with blistering guitar riffs, fleetfingered basslines and vocal harmonies that are so infectious they’ll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face’s 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, No Way out but Through raises the sonic bar when it comes to songwriting, arranging and musicianship. This time around, singer/guitarist Trever Keith was able to get out of his proverbial comfort zone by renting a cabin near Malibu, California, and holed up with bassist Scott Shiflett as they transformed a collection of their respective demos and ideas into the polished recording you hear today. Production-wise, the band teamed up again with Juno Award winning producer Siegfried Meier and Davey Warsop (Foo Fighters, Green Day) and later was mixed and mastered by Jason Livermore at the legendary Blasting Room. The result is an album that’s sound quality mirrors its sonic weight and is the best-sounding face to face album to date.
$19.95
Face To Face: No Way Out But Through 12"
$19.95

Description

FACE TO FACE are a rarity in the music world: A band that not only helped define a sound, but who continue to fine-tune their music with each subsequent release. This is undoubtedly true of the band’s tenth full-length No Way out but Through, a melodic-punk masterpiece teeming with blistering guitar riffs, fleetfingered basslines and vocal harmonies that are so infectious they’ll be rattling around your brain for weeks on end. Then again this should come as no surprise to anyone who has followed face to face’s 30-year history. While their sound is rooted in the West Coast punk genre they helped pioneer, No Way out but Through raises the sonic bar when it comes to songwriting, arranging and musicianship. This time around, singer/guitarist Trever Keith was able to get out of his proverbial comfort zone by renting a cabin near Malibu, California, and holed up with bassist Scott Shiflett as they transformed a collection of their respective demos and ideas into the polished recording you hear today. Production-wise, the band teamed up again with Juno Award winning producer Siegfried Meier and Davey Warsop (Foo Fighters, Green Day) and later was mixed and mastered by Jason Livermore at the legendary Blasting Room. The result is an album that’s sound quality mirrors its sonic weight and is the best-sounding face to face album to date.

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