Blasphemy: Victory (Son of the Damned) 2x12"
After having recorded the “Live Ritual” performance in July, YK shipped the very same MiniDisc recorder used for that event to Ryan Förster, along with instructions on how to use it. The aforementioned rehearsal session took place in the basement of then-bassist Bestial Saviour of the Undead Legions, and Förster captured the event by placing the MiniDisc recorder on the top of a washing machine in the room. Given the circumstances, one might erroneously assume the resulting audio quality to be inferior. On the contrary, the audio turned out to be compellingly good and thus worthy of its own release. What makes this release particularly unique is the first-time inclusion of the track “Victory (Son of the Damned),” from which the rehearsal now derives its name. Though debate continues to this day as to which – between “Fallen Angel of Doom….” and the “Blood Upon the Altar” demo – represents the most essential Blasphemy recording, “Victory (Son of the Damned)” promises to hold its own place atop the mantle of bestial black metal history as a snapshot in time of the world’s most notorious black metal band.
After having recorded the “Live Ritual” performance in July, YK shipped the very same MiniDisc recorder used for that event to Ryan Förster, along with instructions on how to use it. The aforementioned rehearsal session took place in the basement of then-bassist Bestial Saviour of the Undead Legions, and Förster captured the event by placing the MiniDisc recorder on the top of a washing machine in the room. Given the circumstances, one might erroneously assume the resulting audio quality to be inferior. On the contrary, the audio turned out to be compellingly good and thus worthy of its own release. What makes this release particularly unique is the first-time inclusion of the track “Victory (Son of the Damned),” from which the rehearsal now derives its name. Though debate continues to this day as to which – between “Fallen Angel of Doom….” and the “Blood Upon the Altar” demo – represents the most essential Blasphemy recording, “Victory (Son of the Damned)” promises to hold its own place atop the mantle of bestial black metal history as a snapshot in time of the world’s most notorious black metal band.
Description
After having recorded the “Live Ritual” performance in July, YK shipped the very same MiniDisc recorder used for that event to Ryan Förster, along with instructions on how to use it. The aforementioned rehearsal session took place in the basement of then-bassist Bestial Saviour of the Undead Legions, and Förster captured the event by placing the MiniDisc recorder on the top of a washing machine in the room. Given the circumstances, one might erroneously assume the resulting audio quality to be inferior. On the contrary, the audio turned out to be compellingly good and thus worthy of its own release. What makes this release particularly unique is the first-time inclusion of the track “Victory (Son of the Damned),” from which the rehearsal now derives its name. Though debate continues to this day as to which – between “Fallen Angel of Doom….” and the “Blood Upon the Altar” demo – represents the most essential Blasphemy recording, “Victory (Son of the Damned)” promises to hold its own place atop the mantle of bestial black metal history as a snapshot in time of the world’s most notorious black metal band.
