Ligature: Plays: AA's "Suicide Fever" & Second Layer's "Court or Wars" cassette
Ligature aka Chris Hansell (Warthog, Secretors) puts his spin on two classic post-punk tracks.
Our take: I have a lot of ignorance to own up to relating to this release. First, while I’m a big fan of the band Chris Hansell sings for, Warthog, I hadn’t heard of Ligature before I got tipped off about this cassette’s existence. Second, I’m not familiar with either of the two bands Ligature covers here, A.A. and Second Layer (though Discogs taught me that Second Layer is an offshoot of the Sound, whom I love). So, you may come to this with more context than me, but I’ll share my n00b opinions anyway. I find both tracks interesting in how they combine rather sunny chord progressions with playing and production that are cold, mechanical, and distorted. I’m reminded of tracks like Public Image, Ltd.’s “Public Image” or the Chameleons’ “The Fan and the Bellows,” tracks that seem to ride that edge between darkness and light, like waking up in a great mood on a day that’s cool and gray. Ligature captures that vibe, but augments it with the crunchy drum machines and distorted textures of industrial and power electronics, adding an entirely new layer of affect. It’s like nothing I’ve heard before, and I love it. I don't know what Ligature, A.A., or Second Layer sound like outside this release, but for all its brevity, this two-track tape is brilliant.
Ligature aka Chris Hansell (Warthog, Secretors) puts his spin on two classic post-punk tracks.
Our take: I have a lot of ignorance to own up to relating to this release. First, while I’m a big fan of the band Chris Hansell sings for, Warthog, I hadn’t heard of Ligature before I got tipped off about this cassette’s existence. Second, I’m not familiar with either of the two bands Ligature covers here, A.A. and Second Layer (though Discogs taught me that Second Layer is an offshoot of the Sound, whom I love). So, you may come to this with more context than me, but I’ll share my n00b opinions anyway. I find both tracks interesting in how they combine rather sunny chord progressions with playing and production that are cold, mechanical, and distorted. I’m reminded of tracks like Public Image, Ltd.’s “Public Image” or the Chameleons’ “The Fan and the Bellows,” tracks that seem to ride that edge between darkness and light, like waking up in a great mood on a day that’s cool and gray. Ligature captures that vibe, but augments it with the crunchy drum machines and distorted textures of industrial and power electronics, adding an entirely new layer of affect. It’s like nothing I’ve heard before, and I love it. I don't know what Ligature, A.A., or Second Layer sound like outside this release, but for all its brevity, this two-track tape is brilliant.
Description
Ligature aka Chris Hansell (Warthog, Secretors) puts his spin on two classic post-punk tracks.
Our take: I have a lot of ignorance to own up to relating to this release. First, while I’m a big fan of the band Chris Hansell sings for, Warthog, I hadn’t heard of Ligature before I got tipped off about this cassette’s existence. Second, I’m not familiar with either of the two bands Ligature covers here, A.A. and Second Layer (though Discogs taught me that Second Layer is an offshoot of the Sound, whom I love). So, you may come to this with more context than me, but I’ll share my n00b opinions anyway. I find both tracks interesting in how they combine rather sunny chord progressions with playing and production that are cold, mechanical, and distorted. I’m reminded of tracks like Public Image, Ltd.’s “Public Image” or the Chameleons’ “The Fan and the Bellows,” tracks that seem to ride that edge between darkness and light, like waking up in a great mood on a day that’s cool and gray. Ligature captures that vibe, but augments it with the crunchy drum machines and distorted textures of industrial and power electronics, adding an entirely new layer of affect. It’s like nothing I’ve heard before, and I love it. I don't know what Ligature, A.A., or Second Layer sound like outside this release, but for all its brevity, this two-track tape is brilliant.
