Robodrum: Elektro Mafia 12"
Futuristic electro gem from Poland
Our take: From what I’ve heard of their output, Germany’s Detriti Records specializes in an under-explored area of music where post-punk intersects with electronic dance music. I’m approaching this intersection from one direction, being that I’m much more knowledgeable about post-punk music than dance music. In fact, my knowledge of dance music is more or less nil. I think that’s why Robodrum was the first one of the fresh batch of Detriti releases I wanted to listen to. It’s that dance music flavor that makes the post-punk-ish releases on the label so interesting, and I wanted to see how far that influence could go before I lost interest. It turns out it’s further than this, because I love this Robodrum LP. To my ears, it’s pure electronic dance music, with a constant, pounding beat and minimal vocals. The steady beat creates a trance-like effect while the synth sounds that populate the higher registers skitter and swirl, creating interesting rhythmic and melodic interplay. My favorite track is the b-side opener, “Przepraszamy Za Usterki,” which has a seasick, psychedelic quality that contrasts with the ever-present boom bap. Who knows if knowledgeable dance heads would be into this, but I'm feeling it.
Futuristic electro gem from Poland
Our take: From what I’ve heard of their output, Germany’s Detriti Records specializes in an under-explored area of music where post-punk intersects with electronic dance music. I’m approaching this intersection from one direction, being that I’m much more knowledgeable about post-punk music than dance music. In fact, my knowledge of dance music is more or less nil. I think that’s why Robodrum was the first one of the fresh batch of Detriti releases I wanted to listen to. It’s that dance music flavor that makes the post-punk-ish releases on the label so interesting, and I wanted to see how far that influence could go before I lost interest. It turns out it’s further than this, because I love this Robodrum LP. To my ears, it’s pure electronic dance music, with a constant, pounding beat and minimal vocals. The steady beat creates a trance-like effect while the synth sounds that populate the higher registers skitter and swirl, creating interesting rhythmic and melodic interplay. My favorite track is the b-side opener, “Przepraszamy Za Usterki,” which has a seasick, psychedelic quality that contrasts with the ever-present boom bap. Who knows if knowledgeable dance heads would be into this, but I'm feeling it.
Description
Futuristic electro gem from Poland
Our take: From what I’ve heard of their output, Germany’s Detriti Records specializes in an under-explored area of music where post-punk intersects with electronic dance music. I’m approaching this intersection from one direction, being that I’m much more knowledgeable about post-punk music than dance music. In fact, my knowledge of dance music is more or less nil. I think that’s why Robodrum was the first one of the fresh batch of Detriti releases I wanted to listen to. It’s that dance music flavor that makes the post-punk-ish releases on the label so interesting, and I wanted to see how far that influence could go before I lost interest. It turns out it’s further than this, because I love this Robodrum LP. To my ears, it’s pure electronic dance music, with a constant, pounding beat and minimal vocals. The steady beat creates a trance-like effect while the synth sounds that populate the higher registers skitter and swirl, creating interesting rhythmic and melodic interplay. My favorite track is the b-side opener, “Przepraszamy Za Usterki,” which has a seasick, psychedelic quality that contrasts with the ever-present boom bap. Who knows if knowledgeable dance heads would be into this, but I'm feeling it.
